cultureisland event // sideways // a vision board workshop


can't wait for this event happening next tuesday, december 15th from 7-9 pm!! i met my friend margo through being involved with projectart some months ago + we instantly bonded over all things mindfulness. margo is a yoga instructor and the founder of #projectgoodness. we've been trying to do an event together for a while now, but finding a venue wasn't easy. then i met georgia, of lower east side vintage shop georgia nyc, over instagram -- she was wicked cool and totally down to host something. margo and i decided on a vision board workshop as a way to celebrate the new year approaching. i saw this quote recently that inspired the title of the event -- "it's only those who grow sideways that will change this world for the better," by david gillespie. so come make a vision board with us and let's see how we can grow sideways in 2016 :)

this will be my first ticketed event with proceeds going to projectart! tickets are $25 through eventbrite HERE -- all supplies are included + there will be free wine, courtesy of grapeful. georiga is offering a discount on really rad vintage clothes this night, and a percentage of sales will go to projectart too. also, thank you to my friend/amazing illustrator laura supnik for our lovely invite design.

more about our collaborative partners:

cultureisland: cultureisland is a passion project by sara r. radin in which sara collaborates with emerging creatives, non-profits and brands to create unique experiences. she loves nothing more than bringing people together, introducing her friends and celebrating all kinds of creativity. this will be sara's 11th event since february 2015 and she has many more in the works.

+ yoga margo: margo chabot, or yoga margo, is a certified yoga instructor, health coach, artist, and founder of #projectgoodness -- a community dedicated to noticing and adding to the goodness that surrounds us always. she is passionate about giving people the tools to live happier, healthier, and more fulfilling lives through teaching the importance of gratitude, mindfulness and self care.

+ projectart: projectart is an award winning nyc based arts education nonprofit, providing free after school visual arts classes in public libraries across the city. founder adarsh alphons not only believes art is a right but that it also saves lives.

+ georgia nyc: georgia nyc was founded by georgia fenwick in june 2014. a londoner who moved to nyc at age 13, she has had a transatlantic upbringing, being inspired by both europe and america. georgia nyc is a women's vintage clothing shop, focusing mostly on styles from the 60s and 70s. georgia has created a space that encourages experimentation with clothes that have individuality and are accessible.

+ laura supnik: laura supnik is a new york city based artist specializing in illustration and small pantings drawn from everyday life and fantasy. laura designed our invite.

+ grapeful: grapeful provides anyone (as long as you are of age!) the ability to raise funds through the sale of wine. have a cause, organization or charity you support? do you and your friends love wine? host a grapeful party or create a dedicated order site and friends, fans and followers can buy great wine to help your fundraising efforts. a portion of each bottle sold is directed to your selected cause. is there a better way to raise money? let’s get your party started!


cultureisland event // the souvenir shop // a holiday pop-up + sock drive


i was super excited when my mentor and former collaborative partner, daymon green, asked me to curate a holiday pop-up shop for his store, community 54. i was even more excited when he gave me full creative freedom on this event. it's so wonderful and rare to find people as humble, approachable and supportive as daymon. many months ago i wanted to plan a holiday pop-up using the name the souvenir shop -- it's pretty amazing to see ideas i put out into the world happen organically.

join us on 12/11/15 for a holiday pop-up shop featuring art + merch by some of my favorite people. we will also be running a sock drive benefiting the bowery mission, which collects clothing donations for the homeless of new york city -- please bring new, clean or gently used socks!

thesouvenirshop.jpg

more about our collaborative partners:

+ cultureisland: cultureisland is a passion project by sara r. radin in which sara collaborates with emerging creatives, non-profits and brands to create unique experiences. she loves nothing more than bringing people together, introducing her friends and celebrating all kinds of creativity. this will be sara's 10th event since february and she has many more in the works.

+ community 54: community 54 is a neighborhood lifestyle boutique inspired by creative nostalgia and owned by partners daymon green and jason jacobs. known for their curated vintage streetwear as well as new indie brands, the store serves as a connecting point for thinkers to collaborate and put out new ideas.

+ saint karen: according to thewirecutter, "saint karen ceramic collection teeters between the imaginary and the practical, like geometric architectural elements that fell off an escher landscape and then got retooled into one-of-a-kind vases, mugs, or planters that wouldn’t look out of place on the set of pee-wee’s playhouse." karen is based in brooklyn, new york.

+ movement pinback buttons: movement pinback buttons makes custom pinback buttons, by hand, in new york. in 2011 they bought their first button machine for use with personal art projects and events. today they strive to be the number one maker of custom buttons in the nyc area.

+ villainous new york: villainous new york is an nyc born and bred collective that creates clothing, accessories and other special projects inspired by the streets of new york. 

+ michael desutter: michael desutter is an artist and graphic designer who creates hand cut collages from vintage print materials. his work focuses on connecting the formal qualities of everyday recognizable objects. michael was raised on a farm in indiana and moved to nyc in 2003 to work on his craft. he currently works and resides in brooklyn, new york.

+ the new york pizza project: the new york pizza project is a coffee table book documenting the heart and soul of new york city’s last authentic pizzerias through photography and interviews. the book, created and published by five 30-year-old native new yorkers, is the first of its kind – focusing not on the pizza, but the people and places behind new york city’s favorite food.

many thanks to rizzos les and radiant pig beer for sponsoring this event!

fb invite // eventbrite

hope to see you there + please pass onto friends!


art // drake ghosts by anthony hawley


my friend/amazing artist anthony hawley has been making some awesome daily drawings inspired by drake's recent hotline bling video.

anthony on this inspiration: "it’s a really catchy song; like i’ve listened to it dozens of times, but it’s such a weird and bizarre music video. think about what the video would look like without the turrell-inspired spaces. it would essentially consist of a good-looking drake sitting on steps, posing, and dancing around by himself; good-looking women posing on stairs and moving in slow motion; then drake and one of his female dancers joining forces to do some synchronized moves together. the turrell-inspired spaces are beautiful, a little ufo-like and provide an amazing glow of color, but at the same time there’s really no reason whatsoever that the turrell spaces are there. half the video looks like an itunes add circa 2004 and half of it creates this sense of space that’s reminiscent of the original tron or star wars. i keep thinking that those slow motion pan-outs by the camera are going to expose drake as a tiny player in a giant video game or that the millennium falcon is going to appear, caught in the death star’s tractor beam, and plow down drake. by far, the most interesting parts are drake’s hand motions and movements. they’re glorious! in all my drawings drake has six fingers on each hand.
 
i liked the idea of doing a series of small drawings where drake and turrell kind of haunt each other and meld. the drawings use an existing set of imagery from other small drawings of mine and expand on it. the little ghostesses seemed to fit the zeitgeist of the music video. i mean why wouldn’t you make drawings of drake and turrell turning into ghosts?
 
i’ve always been a bit obsessive with my listening. like i just get obsessed with a sound, a mood, or a theme in a certain song or album and i can’t stop listening to whatever it is. and there’s not really a logic—it ranges from oneohitrix point never to mozart string quintets to demi lovato. i don’t necessarily love demi lovato or anything about her, but last friday i think i listened to “cool for the summer” all day non-stop without any breaks or anything in-between. i think that i’ve been like this since i started listening to pop music when i was six or seven, sitting by the stereo recording different top 20 hits with cassettes at the end of each year. sometimes it’s not even an artist i love; it’s just a sound, a synthesizer, or an explosive moment, you know? then this all feeds into my daily practice and art.
 
there’s a link between the obsessive listening and the daily practice that i’m just now becoming aware of—the doing something over and over to get to a feeling or idea without thinking too hard about it."

check out his drawings and purchase them here on his site!


cultureisland event recap // pizza pop-up party // october 21st, 2015


a few weeks ago i organized a pizza pop-up party at rizzo's on the lower east side. we sold new york pizza project books, all-you-can-eat press pizza maps and pizza pins by movement buttons. my friend juan (wamoo papez) did the tunes, featuring classic new york hits from all eras. it was amazing. everything came together seamlessly and it was a really great turn out. i say this every time i plan an event, but time and time again i am blown away by the people who come to these things. for example, two people i met two days prior came out... as well as the owners of community 54 where i previously did a pop-up. i go into these things with little to no expectations and it's wonderful when all kinds of people turn up and really enjoy themselves. with each event, i am more and more grateful for the support i receive. even when someone can't make it but text me to let me know, i'm grateful. thank you to all those who participated and attended as well as those who continue to support me! it truly means the world. and the process of planning these things becomes more and more enjoyable as i go. stay tuned for more to come!

many thanks to alix h. luntz for the photos + wamoo papez for the playlist. these two have become part of the cultureisland family and i love working with them / watching each of us grow through the process.


cultureisland event // on paper // jason turner art pop-up + mind breath magazine launch party


super excited to announce my next event happening on thursday 11/12/15! please see details below and i'll go into a lil more background on how it came about here: i first met visual artist jason andrew turner last april at my new york's finest pop-up through our mutual friend felipe (tipi thieves) and later had the opportunity to interview jason for my small talk series this past summer. jason recently moved here from philly and i freakin love his work. i immediately knew i wanted to work with him on his first show here in new york. we spent months emailing and visiting all kinds of stores around new york and brooklyn. then a few weeks ago, lower east side shop la petite mort hit us up and said they had a last minute opening for a two month pop-up! we were beyond excited. for the opening, lpm owners oj and kara also wanted to bring in their friend elizabeth who's launching a new art + fashion magazine, mind breath magazine. and thus was the birth of on paper, an event celebrating jason's two month long art pop-up and a launch party for mind breath magazine.

more about our collaborative partners:

+ cultureisland: cultureisland is a passion project by sara r. radin in which sara collaborates with emerging creatives, non-profits and brands to create unique experiences. she loves nothing more than bringing people together, introducing her friends and celebrating all kinds of creativity. this will be sara's 9th event since february and she has many more in the works.

+ jason andrew turner: jason is a visual artist who recently move to brooklyn, new york from philadelphia, pennsylvania. he grew up in alabama and cambridge, england before receiving his bfa from savannah college of art & design in 2005. jason makes drawings on paper and works in a variety of mediums including graphite, ink, and gouache. his current body of work explores abstract landscapes with a focus on mark making and color relationships.

+ mind breath magazine: mind breath magazine is a new magazine run by emerging artist and native new yorker elizabeth scholnick. mbm is a collaborative platform for more maintstream artists to be featured alongside emerging artists through interviews, critiques and reviews. elizabeth also examines things we do on a normal bases in new ways on the mind breath magazine tumblr. she is currently producing her first documentary and is coming out with a photography book with text later this year in 2015.

+ la petite mort: lpm specializes in rare + designer 90’s vintage clothing, as well as a curated selection of modern clothing and accessories from independent designers. more than just a store/website, la petite mort is a creative approach to life in nyc and beyond. they aim to showcase a variety of looks that reflect new york’s diverse culture and style. la petite mort is french for “the little death” which is an idiom and a metaphor for an orgasm. lpm believes fashion should evoke a strong emotion and each piece should be loved and celebrated. the lpm store also functions as a rotating artist gallery, showcasing new, local artists on a bi-monthly basis.

fb invite // eventbrite

special thanks to rizzo's for sponsoring! (our third event together <3)

hope to see you there + please pass onto friends!


small talk // anne vieux // visual artist


i first discovered anne vieux's work at bushwick open studios this past summer and she's since been on the top of my list of people i wanted to interview. her work is crazy good; it's totally strange and totally beautiful. i've never seen anything like it. a few months ago i had the pleasure of visiting anne's studio in bushwick, brooklyn. anne was rocking a lemon colored sweater, a hue i've randomly been seeing everywhere. when speaking about her work, anne is incredibly intelligent but also humble. her work explores obsolete technology and blurs the lines between the analog and the digital, the unnatural and the natural. she makes paintings, videos, lenticular prints and zines. in all that she does, anne attempts to make the invisible visible. she is interested in how a painting can feel like a screen. and for her, zines are like sketching. i loved hearing about anne's journey and her artistic process so i'm very excited to share her story here.

more about anne below:

 

cultureisland: tell us more about you.

anne vieux: i grew up in oklahoma with a few years of living in france. i studied painting at the kansas city art institute and painting from cranbrook academy of art. i've moved eastward every few years and now i'm here. nyc seemed to have opportunities and a community of artists working with ideas i am interested in and that inspire me. nyc is cool because things change quickly and i like that.

cultureisland: tell us more about your paintings. what led you to select painting as a medium?

anne vieux: it’s hard to say because it was a natural attraction for me. the immediate gratification, potential of color/space, and the relationship to architecture/the body etc. the real or imagined conversation with the past and future one can have through work and theory around painting. growing up during the technological revolution has really shifted the way young artists view the potential of painting, so it seems to be an exciting time.

cultureisland: how has your painting style evolved over time?

anne vieux: earlier my paintings were really raw and gestural. i started using black lights/installation to illuminate/frame the paintings. i got into projecting video onto paintings too. i had a studio visit with a someone and they suggested attempting to create what the video added within the surface itself. that was kind of an ahha moment, bringing this virtual space into material space -- slowing down the read of a virtual image and speeding up the read of painting. 

cultureisland: what is your process for making your work?

anne vieux: most of the imagery is created by photographing and bending reflective papers. in the end the imagery flattens and reads as painterly. lately, i’ve been using printed fabric stretched over panel, on which i paint. i love using highly saturated colors. the fabric gives a physicality to the digital image, and reads as watercolor on another plane. i like reintroducing the hand into these rendered digital images, through paint, and also leaving gesture with my finger prints and tape. these moments really excite me. 

i have another body of work that is made of lenticular prints. you know those images used in advertising a lot? a few images are laced together kind of making an analogue animation. they move as you move around them. the feel very slick and look like screens. this feedback loop between the digital and physical flows through different bodies of work and continues to evolve. playing with gesture, scale, pattern, zoning out, and making the the invisible- visible.

cultureisland: what role does technology play in your work? how did your interest in it come about?

anne vieux: early on i played a lot on computers and learned to program a bit. my family started a weather modeling company out of our house in the 90’s. growing up with glitchy weather maps and screensavers on pc’s and in a very techy environment had an impact. i love the idea of it from bit; that everything is digital information and can be computed.

cultureisland: what is your process for naming your work?

anne vieux: i use a serial naming system for each body of work. the name for each body grows out of working on them, finding so essential content or word that comes into my mind while working on them. they are then named in order that they are made.

cultureisland: have you watched anything interesting lately?

anne vieux: nope, but i want to see ex machina!

cultureisland: what are your favorite places to eat, shop and see art around brooklyn?

anne vieux: for art, greenpoint terminal, interstate, signal, stream, small editions. for shopping, alter, chromat, bright lyons and urban jungle. for eating, pokito, zax and dotory.


listen // disco pineapple // mixtape volume 5


* the fifth disco pineapple mix is finally here! it's a little delayed -- palo and i initially set out to do these playlists monthly but both us have been super busy lately (with all good things + i'll chat more on being busy later); last month, palo launched her own brand, sunad, which is an amazing made-in-spain women's shirt collection! i was traveling in asia for my job + just moved to greenpoint, brooklyn. like i said, all good things. while i miss palo a whole damn lot, working on these playlists is a really nice way for us to keep in touch every month and honor our mutual love for all things strange, tropical and upbeat. stay tuned for a small talk with palo on her new venture soon and in the meantime check out sunad here.*


cultureisland event // heritage auctions x projectart happy hour + tour


last march while visiting pulse art fair, i came across the projectart booth. i met the founder, adarsh alphons, and we immediately got to chatting about the importance of art in our daily lives. when i told him about my side hustle, he said i was the strangest person he met at the fair. of course, i took this as a major compliment and we soon after began working together on an event idea called the artprom. although this event didn't work out at that time, i'm confident it will someday soon. this summer i was honored when adarsh asked me to be a part of the organization's junior board. being involved with projectart has been an incredible experience in which i've met and become friends with some of the most diverse, most interesting and most insanely passionate people. i'm thrilled to be a part of an organization and a community that believes art is a right. and i'm excited to partner with projectart and heritage auctions on an event next week -- swing by to learn more about our mission, meet members of the board and have some free drinks and an art tour:

more about our collaborative partners:

+ cultureisland: a passion project by sara r. radin, sara collaborates with emerging creatives, non-profits and brands to create unique experiences that celebrate all kinds of creativity.

+ projectart: an award winning nyc based arts education nonprofit, providing free after school visual arts classes in public libraries across the city. founder adarsh alphons not only believes art is a right but that it also saves lives.

heritage auction galleries: an auction house established in 1976 in dallas, texas. heritage is the largest collectibles auctioneer in the world.


cultureisland event // pizza pop-up party // october 21st, 2015


super excited to announce that my next event is coming up wednesday, october 21st at rizzo's on the les. i first got connected to the new york pizza project through my close friend, jaimee. (side note: her parents set mine up!) her cousin corey has been doing this awesome project for several years now and i was honored when he asked me to work with him and his buddies on an event! more about it below:

more about our collaborative partners:

cultureisland: a passion project by sara r. radin, sara collaborates with emerging creatives, non-profits and brands to create unique experiences that celebrate all kinds of creativity.

the new york pizza project: a coffee table book documenting the heart and soul of new york city’s last authentic pizzerias through photography and interviews. the book, created and published by five 30-year-old native new yorkers, is the first of its kind – focusing not on the pizza, but the people and places behind new york city’s favorite food.

all-you-can-eat-press: a brooklyn-based independent publishing company that celebrates everyday food for everyday people. they recently collaborated with the new york pizza project on their "vol.7 ny by-the-slice pizza map."

movement pinback buttons: movement pinback buttons makes custom pinback buttons, by hand, in new york. in 2011 they bought their first button machine for use with personal art projects and events. today they strive to be the number one maker of custom buttons in the nyc area. 

+ wamoo papez: wamoo papez is dj and music producer juan alvarez's moniker. he's a native new yorker who recently released a new ep, zebra. juan describes his style as a dark, heavily textured blend of hip hop with an omnivorous set of influences. for this event's playlist, juan mixed classic new york hits spanning decades and genres as a true celebration of new york culture.

event brite invite // facebook invite

hope to see you there + please pass onto friends!


music video // living for the city // stevie wonder


i've been researching the best new york songs for my next event, coming up on oct. 21 (stay tuned for info). every single aspect of orchestrating these things is so damn fun, especially researching the tunes. and since i love stevie more than anything, this is my current jam as i head out for a work trip to shanghai and seoul tonight. i love how the cars overlap in the beginning and that collaged sheet music, obsessed. be back later!


cultureisland event recap // zebra // a wamoo papez listening party


a few months back, i was sitting at a diner on the upper east side with my old co-worker and friend juan (wamoo papez), talking about feeling lost. we talked about the beauty of deep, dark periods of our lives; that if you can push yourself and come to terms with the numbness, you can use it for the good and turn it into something else. something extraordinary. well, two weeks ago juan succeeded in just that. together, we did a listening party for his new album zebra and he killed it. juan creates his music like audio collages by collecting clips from all over the place and then pieces them together to make something totally new. he also orchestrated an insanely cool video, mirroring the sounds and deep emotions of his album (see above). while, his sounds were inspired by a dark period, there was a lot of life to them. the video flowed seamlessly; i enjoyed the mixture of colors, text and clips. there was a lot of texture and depth to both his sounds and his video. and you could actually feel his emotions reverberating through his work. i've honestly never heard anything like juan's music before. he seriously killed it! i've watched juan come along way this year, from his first dj gig at my new york's finest party to now. i love watching my friends grow and expand on their craft, and gain creative confidence by just doing their thing and getting it out there. after the event, we talked about how we both felt this wonderful mixture of emotions -- proud of ourselves for pulling the event together but also in full acknowledgement that there's still work to be done and we couldn't be more excited by that fact.

see juan's interview with cypher league here. photos by alix h luntz.


writing // my first huffpost article // lost and found: how starting a passion project changed my life


i'm beaming. yesterday, huffpost women published my story. i'm beyond excited to share my experience from starting cultureisland this year. i've learned so much and it feels damn good to be able to put it all out there for the world to see. i hope you'll take away some knowledge and inspiration from it as well as share it with your friends.

please click here to see the article on their site or read below!

lost and found: how starting a passion project changed my life.

three years out of college, working in the corporate fashion industry and living in new york city, i was frustrated and lost. i had great opportunities and creative freedom in my job, but i wasn't accomplishing everything i hoped.

i was ambitious and always talked about the many things i wanted to achieve -- yet when it came to following through, i faltered. i was tired of being the kind of person who says she's going to do something, but doesn't actually do it.

i wanted more for myself.

between jobs, i went on a trip to europe. with my next career move set, i considered how things would be different moving forward: would a new job make me feel more fulfilled? would this opportunity make me a happier person? what did i really want out of life? amidst mental clutter, i came to the realization that i needed to start doing things for me, not just for my day job.

i decided it was time to start my own passion project.

it was on a boat ride around stockholm, a city made up of islands, that the name "cultureisland" struck me. it just clicked. it fit perfectly with my love for all things tropical and my desire to create a place of cultural curiosity and exploration. i had been collecting inspiration on tumblr and instagram for years, sharing the various things i found beautiful and interesting. this could be anything from the color palettes of bathrooms to the signage on bodegas and trucks.

i was inspired but i was not creatively fulfilled. collecting these "inspirations" was no longer enough. i wanted to engage with my cultural curiosities more deeply, examine them more closely, write about them, and learn about the people behind them. and with that, i set up a website and started my "small talk" series.

i set out to interview creative people from all walks of life, starting with some of my good friends who inspire me most. some of my first conversations were with fashion designer max gengos, photographers tribble & mancenido and artist tipi thieves. i also began retracing my steps, reaching out to shop owners behind cool stores i had discovered on my travels, like ibiki of montreal and kiosk of reykjavik.

i quickly realized how many people around me were doing something creative, something inspiring, and something worth sharing. so far, i've done 26 interviews and, with each conversation, i've gained invaluable wisdom and knowledge. it is with the utmost discipline, dedication to their craft, and self-confidence that these individuals have experienced personal success. i'm grateful they are open to sharing their stories with me and i'm honored to share their stories with the rest of the world.

another aim of this project was to bring my inspirations and ideas to life via collaborative events. years prior to this, i curated a pop-up art exhibit with my longtime pal and art world friend rachel stekson. in my first professional job, i organized company craft hours, field trips and an employee art exhibition program giving all kinds of folks the chance to "get artsy."

i love the idea of bringing people together and celebrating creativity. with cultureisland, i wanted to build on this passion further so i started organizing events around new york city. i've done six so far, have two more scheduled for the near future, and many more in the works. each event is different than the last. in an effort to connect the virtual and physical worlds of cultureisland, i also started partnering with subjects of "my small talks."

although planning these events hasn't been easy, i've managed to create and execute them with little to no money. i've heard a lot of "no's," and there have been many times my invitations to participate were just ignored. these setbacks have taught me how to not give up, how to be more patient, and how to think strategically. now i see the word "no" as a challenge and an opportunity to work harder, keep pushing forward and dream bigger.

these experiences have taught me how to pitch an idea i truly believe in. i'm also not afraid to reach out to people i don't know or to ask for what i want anymore. it has taken a lot of time, energy, and patience, but i'm finally feeling fulfilled. creating things i'm proud of with people who share similar passions and beliefs -- those who also value collaboration, taking chances, learning and sharing knowledge -- has brought me deep joy and satisfaction.

i take pride in the fact that cultureisland is a work in progress, constantly evolving and expanding. the journey has to be embraced and i am not putting pressure on myself to have all the answers right now. instead, i'm collecting lessons and ideas as i go, building a community where i feel i belong and forging the future i've always wanted. i am embracing being an amateur, listening to my intuition, and having an incredible time doing so. i now have the utmost clarity about what i want out of life and what i stand for.

in turn, i've become a kinder, more positive and more grateful person. i'm not so overwhelmed or frustrated anymore; instead, i'm totally at ease with where i am in life. i used to think professional and personal success were synonymous, but now i'm finally creating for me. and i'm a happier me because i'm getting out there and doing my thing.

i'm starting to think bigger picture, including larger scale events and taking the cultureisland experience to other cities. i'm flattered when people reach out to me and ask to work together. i also hope to diversify the kind of projects i'm doing. because of the steps i've taken, my big dreams of making a magazine, book, or film, or owning my own space, don't feel so crazy or impossible anymore. i wake up every day excited to see what comes next and what there is to discover.

recently, a friend attended a ceramics sale i organized at a vintage store. she purchased a piece of pottery and later told me that it inspired her to get back into making things. she's now enrolled in a ceramics class. this was a huge moment for cultureisland. nothing makes me happier than hearing that something i put into the world inspired someone else to take on her own project.

to whoever reads my site, comes to my parties, or even follows me on instagram: i can't thank you enough for supporting this venture! i hope the knowledge i've acquired will inspire you to start something of your own. i am confident that with some hard work, some courage, and some faith, you too can find ways to merge your interests and lead a meaningful and mindful life. perhaps you already are, and for that i commend you.


runway // spring summer 2016 // menswear + womenswear favorites


is it spring/summer 2016 yet?! 12 favorite collections below:

marc jacobs menswear // obsessed with: crushed velvet, silk asian style pajamas and baby pink paired with burnt orange.

louis vuitton menswear // obsessed with: silk everything, bowling shirts, souvenir jackets, matching sets and mauve hues.

sandro menswear // always one of my favorite menswear collections. obsessed with: classic french dressing, simple basics, denim and boxier shirting.

j.w. anderson menswear // obsessed with: raw denim, wider leg pants, deep cuffs, thick collars, news-inspired graphics.

alexander wang // obsessed with: mini shorts worn over boxers, long denim skirts with high slits, cream colored silk pajama shirts and slips.

opening ceremony // obsessed with: elongated, silk raglan shirts and burnt orange outfitting.

simon miller // obsessed with: the earthy, neutral palette, suede trucker jackets and trousers, and distressed denim.

assembly new york // obsessed with: patchwork denim, styling, and those black neck chokers.

fendi // obsessed with: well, everything. this is the antithesis of my style but i dig it all, especially the bright red and watermelon pink hues in those 80's inspired silhouettes!

gucci // no words. favorite quote about this collection: "i like the ambiguous because beauty lies in something that is not well define," says creative director alessandro michele.

coach // obsessed with: mixed floral prints, outerwear and color-blocked leather minis.

carven // obsessed with: the story behind the collection in which a girl in search of a seaside adventure, ditches her boyfriend (but “packs some of his shirts to wear with her minis”) and learns to scuba dive. the looks evolve into evening wear as she goes back to city life at which point she’s wearing her souvenirs.


all images via vogue runway.

art // flowers by irving penn


i was very excited to see a few of irving penn's photographs from his flower series, circa the 1960s, at the gucci museum in florence a few weeks ago. i love how their stark contrast highlights each flower's more unusual beauty; penn injected some deep emotion into these blossoms, showing their darker side. i'm really into older studio shots lately. i also bought a few vintage books in italy i will share here very soon.

cultureisland event // zebra // a wamoo papez listening party


i'm sad to see summer go, but there's lots of exciting things happening this fall. my first event is thurs, 9/24 from 7-10pm -- i'll be partnering with a friend, juan alvarez (wamoo papez) to celebrate the release of his new lp, zebra, and part of the proceeds from bar sales will benefit art start.

invite and more info below:

more about our collaborative partners:

+ cultureisland: cultureisland is a passion project by sara r. radin. this fall marks her second year pursuing her diverse creative interests; sara collaborates with emerging creatives, non-profits and brands to create unique experiences that celebrate all kinds of creativity.

+ wamoo papez: wamoo papez is juan alvarez's moniker. juan is a music producer and sound artist from new york. his music and audio collages have a basis in plunderphonics, meaning he primarily works with pre-existing sounds to make his beats. for his newest project, zebra, he used darker source material and heavier textures to create a body of work that reflects a deep depression he felt in his early 20s.

+ art start: art start is a 20 year-old award winning non-profit that uses creative arts to transform young, at-risk lives. the new york based organization runs daily workshops for kids living in city shelters, on the streets, those involved in court cases or surviving with parents in crisis. these workshops include music, art and dance programs that help instill confidence, hope and creative thinking in youth who are going through times of challenging transitions. *  as former volunteers in music and art, respectively, juan and sara are excited to partner with such a stellar organization. * 

+ ryan k. hall: ryan is an artist, designer and programmer from new york who's currently attending parsons for an mfa in design and technology. he employs various technologies like coding, laser cutting, 3-d printing and cad programs to turn emotions and imagery into innovative works of art. he designed wamoo papez's zebra album cover, capturing the depth of depression, madness and ingenuity.

facebook invite // hope to see you there + please pass onto friends.

thank you for your constant support!


small talk // daniel herr // painter


i recently rediscovered my love for painting through the work of a friend of a friend, daniel herr. my favorite gallery gal and close friend ellen introduced us this year and the two of us had the opportunity to visit his studio some sundays ago. daniel is a painter based in brooklyn and he's about to depart for two month long residencies, one in barcelona, spain and one in beijing, china. dan says, "all painting is some level of storytelling for me." he makes large abstract paintings using oil paint, acrylic, chalk pastel and charcoal. daniel starts by drawing without color, with little idea of what the end result will be. he works on his paintings for a long time, usually four at a time, starting simple and slowly building on basic forms and shapes. his work isn't about one thing; it's about multiple meanings. daniel references different objects and images, connecting the picture like a collage or a stream of consciousness. when a period of confusion strikes, dan will go see art to get inspired. and with the influence of technology, dan is constantly and deliberately choosing what to ignore. 

more about daniel below:

cultureisland: tell us more about you.

daniel herr: i'm from mill valley, california. i went to u.c. davis and boston university for art school, if you want to call it that. i learned the most about painting from just working in the studio. my teachers taught me how to think and then not listen to them. i originally studied music. my brother is a musician, but i'm not anymore. i let him worry about all that stuff. 

cultureisland: tell us more about your paintings.

daniel herr: i've always been drawn to gestural painting but i like pretty much all painting. i also like people who are really into other things like conceptual art who can tell me about it, since i don't do it or follow it that closely. i'm just into the painted image, getting lost in the story of the painted image. i paint environments. and i'm trying to communicate what it's like to be an artist in 2015, and sometimes even i don't know what that feels like. the work has changed most from meeting peers who see things differently. they either point out your smug self-centeredness, bore you, or blow your mind. it also just changes as you get older. you don't want to keep making the same work.

cultureisland: what is your artistic process?

daniel herr: i don't really have a formula for how i make my work. sometimes i work from photographs, or fragments of photographs. sometimes i use caricatures or symbols. the brushstroke is also its own symbol. often i make a good painting by accident, or because i was being un-disciplined, even though i think i have a pretty good painting discipline. there are a million ways to look at it. you could say "i deliberately create chaos" or "i get up every night at 3 am and put on a batman outfit." artists are always struggling to get to the new, and they don't ever seem to know exactly how to do it. the ones i've met, anyway. i just try to keep in mind that there's x amount of hours you need to spend locked in your studio, with no distractions. 

cultureisland: what role does color play in your work? are there specific colors you consistently utilize?

daniel herr: the colors are specific to each painting, to the place each painting came from. i don't know what the role of color is other than to attribute to the work some semblance of the living world. for some reason i've really liked using cerulean blue and unbleached titanium. not together though—too hideous.

cultureisland: what is your process for naming your artworks?

daniel herr: in terms of titles, i try and stay right at the edge of something absurd and something really meaningful. i have trouble naming some pictures and others i know what the name is before i even finish it. i just made a painting from a matisse postcard and i'm going to call it "blame matisse." everything has to have a name. i wish it could just have a number. in fact, i wish people could just have numbers.

cultureisland: if you had to choose any other medium, what would it be?

daniel herr: cinema has always been good to me and i'm jealous that i don't work in that medium. there seems to be so much good work being made now too. i can hardly keep up. just in the past year there was "nightcrawler", "irrational man," "the great beauty", and "citizenfour." but there are so many great classical filmmakers - malick, coppolla, herzog, rohmer, wenders, bergman, polanski. every time i see "amadeus" or "chinatown" i think: why didn't i make that? 

cultureisland: who are some of your favorite artists?

daniel herr: guston, hofmann, monet, frankenthaler, picasso, hockney, peter saul and krzysztof wodiczko.

cultureisland: what are you listening to right now?

daniel herr: i like to listen to football games or lectures. if i'm listening to something really difficult i try and do some menial task, and if i'm really zoned in i don't listen to anything. it's weird because it's now another kind of bodily function for working people, having headphones in and carrying on in two worlds simultaneously. i like to think about how painters once lived when there wasn't anything to listen to but the brush. music is its own thing. i get that artists in new york have to plug in so they can cancel out the noise with good noise. there's a radio station in danbury, ct i listen to sometimes and late at night they play death metal. that's fun.

* check out more of daniel's work here // instagram *


shopstory // nepenthes // garment district, new york


i work full-time in the garment district of new york city and nepenthes is one of the best spots in the area. i recently sat down with the manager, takuya yamamoto, and chatted with him about his background as well as the shop's concept. the store originates from japan where there are five other locations. takuya also hails from japan and wears many hats as the manager, buyer and merchandiser of the store. his background includes a stint at what goes around comes around as well as his own brand, repo. i've always wondered about the name of the store and takuya explained it comes from the name of an exotic plant. ninety percent of the product is nepenthes' own; nepenthes also runs brands engineered garments and needles. the store aims to pioneer an eclectic mix of merchandise and surprise the customer with a unique selection one won't find anywhere else. takuya says the store's goal is to express individuality through clothing and accessories without buying into a bigger image, which often happens when buying from a bigger name brand. nepenthes also hosts art exhibits and pop-up shops every two to three months. this summer, they hosted "hell's kitchen book store" in collaboration with japanese bookstore kinokinuya, another one of my favorite stores in the area. this pop-up featured beautiful books and stationary. for each pop-up shop, nepenthes collaborates on a new screen-printed tote bag. i'm excited to see what they have coming up next.

* photos + video by alix h. luntz *